Showing posts with label Kushal Dev. Show all posts
Showing posts with label Kushal Dev. Show all posts

Wednesday, February 17, 2016

How to Build a Kpop Girl Group


Here at CriticalKpop, we love our girl groups. From cute to sexy to everything in between, girl groups have tried almost everything to stand out in a world of Generations, Brown Eyes and Wonder. As the public jumps to Melon and Olleh for catchy songs and fans crowd concert venues and record stores, the question must be asked — what makes a Kpop girl group stand out?

Is it a catchy song? A pretty face? A killer choreography? Maybe a great vocal? How about a variety star? The problem with that question is, well, the answer could be anything. Girls’ Generation slayed with a cute tune and some skinny jeans, while EXID became relevant with a fancam, of all things. Considering these facts, we should probably revise our question — what sustains a Kpop girl group? What builds a fan base, and keeps them interesting comeback after comeback? And there’s only one answer to this question: everything.

That’s right — dynamic is the true key to a girl group’s success. Every member brings something, whether it be talent, personality, or visuals, to make the group well-rounded and likeable across the board. Without it, the group will undoubtedly flop after that one catchy song falls off the charts. The importance of group dynamic seems to be a constant over the years, from legends like Girls’ Generation to new trends like TWICE. Let’s take a look at how dynamics have affected groups, both in success and failure, over the years.


Girls’ Generation making their debut with “Into the New World” (Image Credit: AllKpop)

From August 5th, 2007, it was clear that Kpop had a dynamic rookie monster in its hands — 9-member Girls’ Generation, who would, a few years later, become Kpop’s most powerful group, transcending music and permeating into Asian culture itself. But it wasn’t just good looks or “Gee” that made them the girl group they’ve become. The group was designed to succeed, with four strong vocalists (Taeyeon, Jessica, Seohyun, Tiffany) all with varying ranges, specialties and tonalities, four talented dancers (Yuri, Sooyoung, Hyoyeon, Yoona), an in-between who specializes in aegyo (Sunny), variety talents (Hyoyeon, Sooyoung, Sunny), and mind-blowing visuals (Yoona, Taeyeon).

The group could handle almost any song, from using lollipops on stage in “Kissing You” to rocking caps and ripped jeans in “I Got a Boy,” because of the wide display of talent and ability. Members of the public were bound to be interested in one way or another — if you didn’t like their song, you might have liked the intense choreography, Yoona’s latest CF or Sooyoung’s recent variety appearance. The group had a monopoly on what Kpop was all about: charm. Not just talent, but charm — the ability to captivate an audience through whatever means available. And that charm didn’t leave with Jessica in 2014. The group was not only so established, but also strong enough with the mix of personalities, vocals, and dance that it could carry on without one of its central members just as successfully as it had before. SNSD is the poster child of group dynamics, gathering both public recognition and a gigantic fan base in the 8.5 years since that fateful August.

2NE1 reintroduce themselves at the 2015 MAMA Awards

Fast forward to 2009, and you get a slightly different story. 2NE1 debuted to immediate success, with all-around talents from CL and Minzy, vocals and long legs (they were so notable that they seem to serve as a charm of their own) from Bom, and visuals from Dara. Despite horrible management after 2012, the group was able to make its notable share of accomplishments through a well-rounded display of talent, as well as a ton of personality through 2NE1TV, one of Kpop’s most-watched reality shows.

You also have f(x), which is another dynamic masterpiece and consequential success, with vocals (Krystal, Luna), visuals (Krystal, Victoria, Sulli), and rap (Amber, occasionally Sulli). The group has repeatedly received heat, however, for Krystal’s seemingly cold personality, and Sulli’s alleged lack of professionalism. Seven years in, f(x) has seen some loss in popularity as a result, losing “trend” status to newer groups like Girl's Day and AOA. It ultimately demonstrates that showing weakness in one of the many components of a girl group’s charm can significantly affect success. Following the same line of logic to 2010, Miss A can push Suzy’s charms all they want, but she alone can’t make 4-member Miss A one of Kpop’s legendary girl groups — a claim proven by their repeated hit-or-miss comebacks over the years. Despite the other member’s talents, they don’t make a dynamically full girl group in the public’s eyes, which hurts their album sales and chart rankings time after time.

If we keep going forward in Kpop history, the trend is continuously prevalent. Yeah, Hyeri can act herself to fame on Reply 1988, but Sojin’s vocals, combined with visuals from Minah and Yura and a newfound sexy concept, maintained interest in the group for years to come, ultimately making them one of Kpop’s biggest success stories. SPICA’s vocal-heavy lineup works well for the ear, but doesn’t do much for the rest of their appeal, which shows in their long hiatuses and lack of top 10 hits. Hani can “wi arae, wi wi arae” to her heart’s content for the fan camera, but it was ultimately great music, Solji’s vocals and the group’s unique variety color that gave them notoriety instead of disbandment.


TWICE: the ultimate package of Kpop charm (Image Credit: wowkeren.com)

As we dive head-first into a new year of Kpop, the same pattern unfolds before us, but even more noticeably than before. TWICE was designed almost exactly like Girls’ Generation (arguably better, depending on who you ask). You have one power vocal at the center (Jihyo, like Taeyeon) with two other strong singers (Jeongyeon and Nayeon, like Tiffany, Seohyun and Jessica), great dancers (Momo and Mina, like Hyoyeon, Sooyoung and Yuri), an in-between that knows how to put on a show (Sana, like Sunny), and a beautiful visual (Tzuyu, like Yoona). The slight differences actually make TWICE even stronger as a dynamic group, with versatile rappers (Dahyun and Chaeyoung) and multi-national members from both Taiwan (Tzuyu) and Japan (Momo, Sana, Mina). And the incredible dynamic in this group is bringing them incredible success — their debut song “Like OOH-AHH” lurks at the edges of real-time top 10 on Korean charts 5 months after release, and their mini-album, The Story Begins, has sold 55,000 copies, more than albums from more established groups like Red Velvet have ever sold.

GFriend in recent hit release, "Rough"

GFriend is another new girl group finding success, becoming the year’s first act to hit a perfect all-kill with their song “Rough.” But the difference between GFriend and TWICE is clear — TWICE is getting known for its wide variety of members, building a large fan base and public popularity in the process, while GFriend is getting popular off of a few slips on stage and a good song to follow. GFriend’s success is nothing to laugh at right now, considering that even Taeyeon came nowhere near climbing over them on the charts this past week, but their continued relevance is questionable. Without members being known to the public, will the world get bored of their musical color (which notably takes after Girls’ Generation’s iconic debut song) and look for a group with a more exciting dynamic (a group possibly like TWICE)? A seeming lack of dynamic endangers GFriend’s popularity in the same way that a strong dynamic ensures TWICE’s success.

So, if you ever had a slight inclination to, oh, I don’t know, build a Kpop girl group from scratch, be careful. Don’t pick just anybody — make a group that catches your attention with not just one gimmick set to expire in a comeback or two, but everything. In the world of Kpop, a girl group that defines a Generation, one that makes you think about them Twice, can sing into a microphone, dance under the lights, pose for a camera, laugh on screen, and much, much more.

Kushal Dev is an Indian-American writer based in New Jersey. He discovered K-Pop through friends and YouTube, and has been an avid follower of Korean entertainment for 4 years. He biases 2NE1, Girls' Generation, f(x), MAMAMOO and EXID.

Monday, November 30, 2015

MAMA 2015 Predictions, Part 3: Special and Daesang Category


For the third and final part of our MAMA Predictions, we are examining Special and Daesang awards. According to the official MAMA website, the only “Special” award is for Best Music Video. And for those that are new to Kpop and MAMA, the three “Daesang” or “Grand” awards, Album, Song, and Artist of the Year, are considered higher than the rest. This is where Kpop’s bigger players come in — it is often the most controversial part of the ceremony as well. With MAMA only a few days away, let’s take a look!

Image Credit: HNGN

Special - Best Music Video - f(x), “4 Walls”


This explanation will be prefaced by the fact that it is possible that BIGBANG will win, simply because “Bae Bae” was innovative both musically and videographically, and because MAMA loves giving awards to YG artists (and they will probably give more this time around, just to stay in YG’s good graces after all the drama between YGE and Mnet that took place when iKON debuted). So a BIGBANG win is possible; we wouldn’t be surprised if Wonder Girls won with their retro-style “I Feel You,” either. “4 Walls” is one of the most beautiful pieces of cinematography to come out of Kpop this year. The video is incredibly hard to decipher — a sequence of actions is repeated and distorted between what is seemingly two different dimensions. In the end, Victoria breaks the cycle by catching the teacup Amber drops. Have you figured out what this video is trying to say? I haven’t, but the theories are definitely interesting. Not many other Kpop videos get you talking specifically about the plot and dynamics of the video itself. Considering MAMA has a history of rewarding videos that simply stand out among their competitors in quality and popularity, we say f(x) has a good shot at bagging this award.

Image Credit: AllKpop

Daesang - Artist of the Year - Girls’ Generation


It’s kind of weird how MAMA nominates 1,000,000,003 artists for this award, despite the fact that usually only one or two can really contend for the coveted title of “Artist of the Year.” That’s a big name to have, and it will probably go to none other than the queens Girls’ Generation. With digital single, physical single, and full album releases this year, SNSD has been relevant for the entire year. Even now, their “Phantasia” concert has made some domestic and international headlines despite comebacks from EXID and Dynamic Duo on the charts and in the news. In addition to group activities, Sooyoung has been acting, Taeyeon debuted as a solo artist (and is confusingly nominated for this award, too), Hyoyeon released a book, Tiffany is working on her own solo debut, TTS is preparing a comeback, and much, much more. GG has been on the grind non-stop this year — their unceasing activity and continued success easily gives them the award.



Daesang - Song of the Year - BIGBANG, “Bang Bang Bang”


Another category with 50 million nominees. You don’t really have to work too hard, however, to figure out that this award will probably go to BIGBANG. This situation is reminiscent of 2011 — 2NE1’s “Lonely” was the top-selling of their releases that year, but it was “I Am the Best,” the hard-hitting club banger, that was nominated and won the award. Here, we have a similar situation with “Bang Bang Bang” and “Loser,” except the former has actually outsold the latter by about 30,000 downloads, making it even more apparent that “Bang Bang Bang” should be the Song of the Year. While some of this year’s other megahits are on this list as well (Baek Ah Yeon’s “Shouldn’t Have,” Zion.T and Crush’s “Just,” JYP’s “Who’s Your Mama?”), “Bang Bang Bang” is the only one with such sustained relevancy — it is essentially 2015’s “Fantastic Baby” in terms of success. Also, Mnet is probably still begging for YG’s love — after all, they did have to have a private meeting with the label to convince its artists to attend. BIGBANG bagging some big awards like Song of the Year is therefore even more likely.

Image Credit: SBS

Daesang - Album of the Year - EXO, “EXODUS”


This one is absolutely obvious. BIGBANG could have won if they had actually released the complete version of their MADE album, but they pretty much disqualified themselves by pushing it back into the void of anticipated YG releases. Therefore, with combined album sales totalling above the one million-mark in Korea (not to mention being the best-selling Kpop album in America), EXO wins.

So that concludes our series on MAMA predictions! Make sure to let us know what you think, and make sure to keep up with the MAMA coverage. It’s an exciting time of year for Kpop fans!

Kushal Dev is an Indian-American writer based in New Jersey. He discovered K-Pop through friends and YouTube, and has been an avid follower of Korean entertainment for 4 years. He biases 2NE1, Girls' Generation, f(x), MAMAMOO and EXID.

Tuesday, November 24, 2015

MAMA 2015 Predictions, Part 2: Genre Category


MAMA, one of Kpop’s biggest award shows, is only about a week away. This means we are only a week from some of the best performances, comebacks, red carpet appearances, etc. that Korea’s top stars have to offer. After recently predicting winners in the Artist Category, which considers awards like Best New Male Artist and Best Female Group, we are now predicting awards in the Genre Category. As we said last time, keep in mind that these are only predictions based on past MAMAs and each artist's performance through the year.

Best Dance Performance Solo - J.Y. Park, “Who’s Your Mama?”


This category is an anomaly — in some years. the winner of this award had an innovative, exciting dance (Sunmi in 2014 with “Full Moon”), while in other years, it was simply the most popular (PSY in 2012 and G-Dragon in 2013). For this year, we can definitely see the latter happening, especially considering that none of the other nominees hit the top 10 with their nominated songs (with the exception of Niel at #6 with “Lovekiller”). None of these other dances were a trend, so the safest bet here is *whisper* JYP, simply because he dominated the other nominees in terms of public popularity and song performance this year.

Best Dance Performance Male Group - EXO, “Call Me Baby”


EXO shocked the Kpop world with their incredible dance when “Wolf” was released in 2013. Since then, their songs may or may not be your thing, but you can’t deny the precision and intensity of EXO’s choreography, which has consistently been some of the best in Kpop for the past few years. Not to mention they are incredibly popular; they are probably BIGBANG’s only rival in terms of sales and popularity among other boy groups at the moment. EXO’s win is a prediction we make with confidence, but we wouldn’t be surprised if INFINITE or SHINee took this award. On the other hand, we would be slightly disgusted by BIGBANG winning (“Bang Bang Bang” is a great song, but it is not worthy of an award for dance). All of this being said, we are still mad about BTS not being nominated, because they probably deserve this award more than anyone.



Best Dance Performance Female Group - Red Velvet, “Ice Cream Cake”


Red Velvet is definitely one of female Kpop’s biggest rising stars this year, with two #1 albums, two top 5 songs, and popular members to boot. Them winning this award simply makes sense — like “Electric Shock” for f(x) (the winner of this award in 2012), “Ice Cream Cake” shot Red Velvet to both domestic and international fame and made them a trend. While we can see EXID or 4minute possibly taking this award (we would also include AOA, but they’ve already announced that they aren’t attending, so Mnet probably isn’t too keen on giving them anything), Red Velvet has the strongest mix of popularity, fanbase power for voting on the polls (which they currently lead), and dancing talent to win this award.

Best Vocal Performance Male - Lim Chang Jung, “Love Again”


Who better to award than one of Korea’s veteran singers? This song performed explosively well; it is the only song that could contend with Taeyeon when her song “I” dominated the charts in October. Kyuhyun is a possible winner here, considering the explosive success of “At Gwanghwamun” last year, but we think MAMA will play it safe by rewarding one of the legends.
Image Credit: Soompi

Best Vocal Performance Female - MAMAMOO “Um Oh Ah Yeh”


This 4-member vocal powerhouse is definitely a group to watch next year. We see big things happening for MAMAMOO, starting with this award. Considering that Ailee won with “Singing Got Better” against IU’s massively successful “Friday” last year, we predict MAMAMOO will win this year, simply because of their incredible vocal talent and the fact that “Um Oh Ah Yeh” shot them to fame this year (their fancafe numbers currently exceed that of most groups, including other, seemingly more successful groups like AOA). We see Taeyeon as this year’s IU, but MAMAMOO as this year’s Ailee.

Best Rap Performance - Mad Clown, “Fire”


Mad Clown hit the jackpot this year with “Fire,” a hard-hitting piece of hip-hop that features Jinsil’s hypnotic vocals. The song is one of this year’s biggest hits — it was the 3rd most downloaded song of the first half of this year, only behind legends like Naul and BIGBANG. A win for Gary is also pretty likely, considering that his duo Leessang has won this award so many times in the past (2002, 2009 and 2011). But Mad Clown has a special appeal — he wears glasses, raps angrily about love, and even stays sitting during some of his performances. He isn’t a typical Korean rapper, and the public has proven to like it. MAMA most likely does, too.

Best Band Performance - Hyukoh, “Comes and Goes”


Considering that CNBLUE and FTISLAND are both (along with AOA) under FNC Entertainment, a label that has recently declared that its artists will not attend MAMA, we can pretty much rule those two out of the nominee list for this award. Despite the fact that both CN and FT are some of Kpop’s most iconic bands, Mnet simply doesn’t like awarding artists that don’t attend. So we’re left with three other nominees: Nell, JJY Band and Hyukoh. And which one immediately comes to mind as a band that performed incredibly well this year? Hyukoh. Despite plagiarism allegations, their songs “Comes and Goes” and “Hooka” seemed to “come” out of nowhere and take over the charts this past summer amongst heated competition. And for a band only one year old, that is an incredible feat. For that accomplishment, the award is theirs.
Image Credit: Soompi

Best Collaboration & Unit - Zion.T and Crush, “Just”


While Complex called Zion.T the “reigning king” of Korean R&B, it also called Crush the “emerging prince.” When you put those two together, you get a collaboration that is incredibly hard to beat, even by the likes of Soyou & Kwon Jeong Yeol who, compared to Soyou’s previous collaborative hits, didn’t make much of an impact. Crush and Zion.T led the charts upon the release of “Just,” a “melancholic, silky-smooth jam that somberly expresses a young man's delicate vulnerability, mixed emotions and forced indifference towards a breakup,” according to Billboard. It went on to be the 14th biggest hit of the first half of this year, and the 8th most downloaded (it was even streamed more times than BIGBANG’s “Loser” in the year’s first half). It follows with “Some” and “Troublemaker” winning in past years that MAMA bases this award simply on the most popular, successful unit among the nominees. While the three other nominees, Block B BASTARZ, INFINITE H, and VIXX LR, were all subunits of bigger groups and all very successful, the award this year will most likely go to two separate artists who used their collective talent to make an impact.

Do you agree? Let us know in the comments! Stay tuned for Part 3!

Kushal Dev is an Indian-American writer based in New Jersey. He discovered K-Pop through friends and YouTube, and has been an avid follower of Korean entertainment for 4 years. He biases 2NE1, Girls' Generation, f(x), MAMAMOO and EXID.

Thursday, November 19, 2015

MAMA 2015 Predictions, Part 1: Artist Category


Ah, yes (or “Ah Yeah,” depending on who you bias). November. It’s that time of year, when the Christmas trees come out of storage, holiday discounts finally come around, and, most importantly, award show season in the world of Kpop. Whether you’re an EXO-L, VIP, S<3NE, or a member of another of Kpop’s many fandoms, it’s a pretty big deal. The Mnet Asian Music Awards (or MAMA), despite being the center of controversy, debate, and sometimes dissatisfaction among fans, is one of Kpop’s most anticipated events of the year. To add to the excitement and speculation, let’s take a look at the nominees, and try to figure out who will win what.

Before we start, however, let’s clear up one important fact: these are predictions, not the awards themselves. Nor do they accurately depict who actually deserves the award. Instead, we are evaluating each nominee on the basis of chart performance, sales, public popularity, etc., in addition to past MAMA ceremonies in terms of who won and who didn’t. With that disclaimer of sorts in place, let’s begin! Since MAMA is a very long ceremony which awards artists in a whole slew of different categories, we will break these predictions up into multiple articles, the first of which starts here with the Artist Category.

Best New Male Artist - iKON


Despite drastically imbalanced line distribution, idol-dissing on their debut EP (hypocrisy, much?), and rumored bullying directed towards newest member Chanwoo, iKON is undoubtedly the safest prediction to make for the winner of this award, (and you probably knew that already). iKON has already managed to match or outdo very popular groups like B2ST in physical and digital sales. Not many boy groups have been able to score songs in Gaon’s Top 5 this year, but iKON already has a #1 with their debut single “My Type.” To provide some comparison, the last boy group to debut at the top of the charts was WINNER, YG’s other relatively new boy group with an alternative-influenced musical color. iKON is set to get another Top 10 with their new single “Apology,” which all-killed right after release on the 16th. The only other nominee that even stands a chance is hundred-thousand-selling Seventeen, who are probably Pledis Entertainment’s only money-making artist at the moment. But overall, iKON’s win is definitely something we can expect.



Best New Female Artist - TWICE


This new nine-member girl group is stunningly different than anything JYP has put out before: a strong mix of powerful vocals, dance talent, and startlingly beautiful visuals. The members are easy to tell apart and their charms are clearly noticeable, yet they meld together perfectly — and the public is taking notice. TWICE is one of the only female rookies this year to score a top 20 song and an album selling more than, you know, 10 or 15 copies (seriously, female groups deserve more physical sales than they get).

But despite all of TWICE’s qualities and selling points, time is definitely working against them. While TWICE debuted last month, GFriend has been in the game since January, and is the only rookie on the female nominee list to have a top 10 single (“Me Gustas Tu” peaked at #8 while TWICE’s “Like OOH AHH” hit #16). Despite Woollim’s new GG Lovelyz matching TWICE in physical sales, GFriend is the only other major contender — they are the only group with comparable or arguably greater public popularity. Considering the fierce competition, (cue stupid reference to the insanely catchy “Like OOH AHH”) we’ll definitely be thinking about this prediction twice.

Best Male Artist - Zion.T


Not gonna lie, JYP is a tempting pick for this award. “Who’s Your Mama” was not only successful, but wildly popular — it ended up fighting against his own label’s Miss A for the top of the charts earlier this year, and if Miss A is known for anything (other than their awesome R&B sexy concepts), it’s for holding their own on the charts when the public takes a liking to their songs (remember “Bad Girl, Good Girl”? One of the top-selling songs in South Korean history? Yeah, we do, too). But if we look at the history of this award show, the explosively popular one-hit wonder is not the winner, at least in this category — in 2012, it was G-Dragon who, with “Crooked,” beat out PSY’s “Gangnam Style” for the award. And while JYP undeniably had a stellar year, so did Zion.T. He has a total of three Top 3 singles this year, two of which are chart-toppers. He was even featured on Jonghyun’s pre-release “Deja Boo,” which was (unsurprisingly) another #1. Despite being around since 2011, Zion.T finally shot to stardom this year. American entertainment magazine Complex called him the “reigning king” of contemporary R&B in Korea. Such is a fitting title for the year’s Best Male Artist.

Image Credit: Soshified

Best Female Artist - Taeyeon


At first glance, this category seems filled almost overwhelmingly with Kpop royalty. For starters, you have BoA, the eternal Queen of Kpop, sitting on the nominee list. Her “Kiss My Lips” comeback was acclaimed by critics and fans alike, but failed to really capture the public’s attention. HyunA and Ailee both had decent releases, but they, along with BoA, were unable to make a splash with their comebacks, most likely because they both stayed within the boundaries of their typical concepts. IU, on the other hand, did the opposite — she definitely got the public’s attention, but for all the wrong reasons (her songs may be good, but her slew of scandals clearly aren’t).

Instead, we have one candidate who clearly outshines all the rest: Kim Taeyeon, the leader and main vocalist of Girls’ Generation who finally got a solo album (Thank you thank you thank you, SM). Her song, “I,” an emotional pop-rock ballad, was an instant hit — the track as well as the album became the top-selling of October. Taeyeon succeeded where the others couldn’t. She stayed out of scandals and stayed in the spotlight. Despite the immense popularity of each nominee, you end up saying “duh, who else?” once you realize how much of a smash success Taeyeon really is.


Best Male Group - BIGBANG


While many would like this award to go to the rising BTS or the virtually scandal-less SHINee, BIGBANG receiving this award is more obvious than iKON for Best New Male Artist. I mean, who else could get four #1 songs and four more #2’s? Who else could sell more than 350,000 albums in just physical singles? Who else could get their albums into the top 3 of the iTunes real-time album chart...in the USA? It has to be BIGBANG. While EXO definitely poses a threat (their physical sales almost quadruple those of BB), it’s pretty obvious that BIGBANG is the only group here with the power to get the entire public excited about their releases, making them by far the strongest contenders for this award.

Best Female Group - Girls’ Generation


Another “duh.” But this award isn’t theirs because they’re Girls’ Generation (although that is a pretty good reason to give it to them). A lot of groups get comfortable in their success, only promoting once a year and disappearing into the Kpop void for the rest of it. Some examples are, well, pretty much everyone else on this nominee list. Despite successful comebacks from everyone here, Girls’ Generation has definitely been the headlining female act of 2015. From Catch Me If You Can to Party to Lion Heart, GG remained undoubtedly relevant and successful from April to September. The other girl groups here are definitely worthy of applause, but they still pale in comparison to the Nation’s Girl Group.

So do you agree, or do you think these predictions are absolutely bogus? Let us know what you think! Part 2: The Genre Category, is coming soon!

Kushal Dev is an Indian-American writer based in New Jersey. He discovered K-Pop through friends and YouTube, and has been an avid follower of Korean entertainment for 4 years. He biases 2NE1, Girls' Generation, f(x), MAMAMOO and EXID.

Monday, November 16, 2015

Forgotten to Frontwoman: Yuri is the True Rising Star of 2015

Image Credit: wgsnsdfx.com

2015 was a pretty mind-blowing year for K-Pop, and although it’s still a little early for New Years’ parties and Gayo Daejun festivals, we can already point out some of the year’s most obvious rising stars — BTS, MAMAMOO, 4minute’s Jiyoon, BtoB’s Sungjae, and many, many more. But rising stars aren’t always ones that shine so brightly — they just shine brighter than they have before. So instead of talking about 2015’s more obvious winners, let’s talk about someone who we don’t really talk about all that often — Kwon Yuri, member of Girls’ Generation. Her star is shining brighter than ever before, and here’s why.

Despite being an already well-established idol in what is arguably K-Pop’s most well-established group, Yuri has constantly been on the lower end of Girls’ Generation’s popularity rankings. In the past, SM usually threw her one or two unmemorable lines per song, leaving her to stand behind the spotlight (instead of under it) as part of GG’s tragically underused dance line (SM, PLEASE MAKE SHY HAPPEN ALREADY). But 2015 changed everything for Yuri — we are finally hearing her voice outside of two-second ad libs and momentary melodies.


It started with GG’s explosive first release of the year in April, when “Catch Me If You Can” saw Yuri take more singing time (24 seconds) than some of the group’s more usual vocalists like Tiffany (17 seconds) and Seohyun (14 seconds). Not only does she start the song, but she also dances front-and-center for the entire second chorus, in addition to handling both singing and rapping lines throughout the song (in other words, total and complete slayage). But many would be quick to counter the argument that “Catch Me If You Can” is Yuri’s claim to fame, stating that the song is simply an outlier among the group’s discography — one that purposely emphasizes the dance unit more so than did other songs. Since this is a very, very valid counterargument (along with Yuri, Yoona and Sooyoung take a majority of lines throughout the song as well), let’s look at some of the group’s later releases to further prove Yuri’s rising stardom.

Party was the group’s first single album release since their debut in 2007. It featured B-side “Check,” a 90’s style R&B track that was performed a few times on music shows during Party’s first week of release in July. “Check” was a blessing for Yuri fans because she spent a majority of the performances towards the front-and-center, slaying fans with her flawless curvy figure.


To any S<3NE watching the group make their long-awaited comeback in July, Yuri’s presence was definitely notable, much more so than in previous years. The trend continued in “Lion Heart,” in which Yuri sings a large part of the second chorus, and “You Think,” in which she handles an entire dance break. The pattern is unmistakable — Yuri’s role in the group is finally gaining importance. She’s no longer a forgotten dancer — she’s now a vocal and a visual as well. Even Billboard’s K-Pop columnist Jeff Benjamin takes note of Yuri’s increasing share of the line distribution, claiming that it’s “a decision that further shows that Girls’ Gen is embracing change in their eighth year together.”

Many of you might be wondering: Why did Yuri become so much more relevant all of a sudden? Well, the answer definitely isn’t definite. In fact, it’s most likely a mixture of many factors — her raw dancing talent, her blossoming into a full-fledged visual, her curves (something fairly rare in the K-Pop world), the group’s newfound inclination towards sexier, more provocative concepts (where Yuri shines strongest), the departure of one of the group’s main vocalists in 2014, and the announcement of her short-lived relationship with baseball player Oh Seung-Hwan in April of this year. All of these reasons, some of which relate to the group’s changing musical color and lineup, contribute to her upward surge.

Rising stars are not necessarily the idols who wholeheartedly capture the entire public’s attention or gain thousands on their Daum fancafe page — they’re sometimes those who take advantage of the one opportunity they’re given, those who quietly maintain public respect without making a big fuss about their good deeds, or those who, in the case of Yuri, go from dancer to visual/singer/dancer/rapper. It’s pretty safe to say that Yuri is one of 2015’s rising stars — not because she was “the trend” or bringer of cultural revolution, but because she rose among the ranks of her own group, effectively becoming a frontwoman of one of the most powerful acts in K-Pop history.

Kushal Dev is an Indian-American writer based in New Jersey. He discovered K-Pop through friends and YouTube, and has been an avid follower of Korean entertainment for 4 years. He biases 2NE1, Girls' Generation, f(x), MAMAMOO and EXID.