Monday, February 22, 2016

Coping with the Inevitable Kpop Fatigue


Five years ago, a friend of mine who knew that I listened to a lot of J-Pop sent me a link to an MV entitled "SNSD – Gee." Actually, it might have said "Girls’ Generation," but either way – it was a long time ago. At that point, I didn’t think anything about the MV other than it was colourful, fun, and I liked the song. My friend then sent me SNSD’s "Oh!" MV, and I loved that too. Without being cliché, it was like nothing I’d ever seen before, but was still somehow familiar. It had the fast pacing and bright colours of J-Pop, but with a much more familiar pop sound to what I was used to as an English teenager. It was so different, and yet not. I loved it immediately.


It all spiralled from there. I listened to SNSD endlessly for a few days, and then I found Super Junior and their most popular sub-group, Super Junior M. I listened to "Sorry Sorry" on repeat for two hours the day I first listened to it. My first ever group comeback was MBLAQ’s "Mona Lisa," and three years later I was into so many groups that I didn’t even have time to watch all the comeback performances as well as everything else I had to be doing. My first ever Kpop CD was Super Junior’s Mr. Simple, and I got the Heechul cover as well as the military-style B Version. My first year of university, the first article I wrote was about cool Kpop tracks to listen to other than "Gangnam Style," which as everyone will remember was everywhere at that time.


What I mean by all this Kpop nostalgia is that, over the past five years, listening to Kpop, talking to other people about it, and engaging with it on so many levels has been a major part of my life. I’ve been in various fandoms for the past ten years, and Kpop had me from the start. I honestly never really thought that how much I loved it would wane.

But, as with all things – fatigue set in. When I first started chatting to other Kpop fans online at the age of seventeen, they – like I – were in crucial stages where growing up was happening and life was getting busier. It’s difficult to be in an all-consuming fandom like Kpop when that’s happening, and once you take some time out of it you end up behind on a ton of new songs, new groups, new shows, and new scandals. Trying to catch up and get back into it is exhausting, and this is something I like to call Kpop Fatigue. Trying to listen to new groups and new tracks ends up becoming tiring, and everything starts sounding the same – and not least because 2013 and 2014 weren’t particularly great years for Kpop.


So, what happens is you lose interest. In October of 2015, I went to see my then-favorite group UKISS. I have been a fan of UKISS for four years, and at the start I loved them intensely and wanted to listen to them exclusively. But by the time I saw them in concert, some of the sparkle had gone. They were great, of course – and I had a great time. But in a way, it felt like the final part of a love affair. I still listen to UKISS, of course – I still wait for comebacks when I remember and I still follow them all on twitter because I still have a soft spot for them.

But I can no longer follow UKISS, and Kpop, the way I once did for a multitude of reasons. The first is that I am about 200% busier than I was when I was seventeen (I have definitely worked this out mathematically, alright?). The second reason is that I am more used to what Kpop has to offer, and I’m generally less impressed than I used to be. I have three groups I generally keep an eye on these days, and they are RP (Royal Pirates), VIXX, and EXO. I have a fourth whenever a group has a comeback that I like.

Fandom fatigue is nothing new, and Kpop Fatigue isn’t anything new either. In a fandom as sprawling and massive as Kpop, it is inevitable. Some people genuinely face a sense of loss when this happens, and that is to be expected when something is your favorite thing to think about for a long time. People engage in fandoms because they want that sense of community, and a need to talk about the things we love with others who will understand in a similar way. When fandom fatigue sets in, there is a partial loss of this.

What needs to be remembered is that this process happens to most of us, and it doesn’t mean we have to let go. For many of us, we go through feelings that tell us we have to let go of all of our fandom ties. This isn’t true, even if fandom makes us feel this way. Fandom is what we make of it, and even if it feels like there are rules, in the end they aren’t being enforced by anybody but ourselves.

Also, Taemin has a solo comeback next week that I need to be ready to have feelings about.

Helen Edworthy is a sociology undergrad from England who got lost in the world of Kpop five years ago. She tweets at @hm.honeybee and her favorites are VIXX, Royal Pirates and EXO.

Sunday, February 21, 2016

[Download] 2015 KBS Music Festival Gayo Daechukje



(KBS 2015 Gayo Daejun) The '2015 KBS Music Festival' di sini! KBS memastikan Anda merampungkan satu tahun lagi dengan semua artis favorit Anda, kelompok idola, dan banyak lagi. Taecyeon 2PM, EXID Hani, dan Lee Hwi Jae mengambil alih menjadi tuan acara untuk tahun 2015.

performance tahun ini meliputi: Girls’ Generation, EXO, CNBLUE, SHINee, Red Velvet,G-Friend, EXID, A-Pink, AOA, Ailee, MAMAMOO, GOT7, INFINTE, B1A4, Noel, VIXX,BTOB, BTS, Son Seung Yeon, ALi, Hwang Chi Yeol, Moon Myung Jin, Hong Kyung Min, Crush, Zion.T, and Dynamic Du



Source SeptaSite (SS)





Part 1


New K-Pop Idol 2016 Yuk Kenalan Dengan 6 Pria Tampan Berbakat, ASTRO








ASTRO © Fantagio Entertainment
Kumpulan Berita Terkait:


Kapanlagi.com - Fantagio Entertainment merupakan rumah bagi sederet aktor aktris ternama Korea seperti Ha Jung Woo, Kim Sung Kyun, Jo Jin Moo, Kim So Eun, hingga Kim Sae Ron. Tak hanya itu, mereka pun menaungi beberapa idol seperti Hello Venus serta 5urpise.
Setelah tahun 2013 silam menghadirkan Seo Kang Joon dkk dalam boyband 5urpise, dalam waktu dekat, Fantagio akan kembali memperkenalkan anggota keluarga baru. Mereka adalah ASTRO.
Beranggotakan enam cowok muda nan berbakat, Jinjin, MJ, Moon Bin, Cha Eun Woo, Yoon San Ha, dan Rocky kabarnya akan debut sebagai idol pada bulan Februari. Walau tanggal pastinya masih jadi rahasia, namun lebih baik lagi kalau kita bisa kenalan dulu dengan tiap member ASTRO!

(Dari kiri atas ke kanan) inilah keenam member ASTRO, yuk kenalan sama Cha Eun Woo, Jinjin, MJ, Moon Bin, Rocky, dan Yoon San Ha. ©Fantagio Entertainment
Dalam wawancara eksklusif dengan KapanLagi.com®, tiap member ASTRO ternyata mau membagikan sedikit bocoran mengenai konsep debut nih. Pertama, ada sang leader, Jinjin yang mengungkap kalau mereka bakal membawakan sesuatu fresh. Apa ya kira-kira?
"Petak umpet! Hanya itu yang bisa aku katakan," tutur Kim Myung Jun atau lebih keren kita panggil MJ sebagai anggota paling tua. "Boyish style yang hanya bisa ditampilkan oleh (cowok) seusia kita," tambah Moon Bin.
Lebih lanjut, mereka pun menambahkan kalau konsep perdana ASTRO tidak akan jauh-jauh dari kisah asmara, image polos, hingga ceria. Well, petunjuk tentang debut ASTRO yang sudah sedikit dibocorkan para member tampaknya malah makin penasaran saja deh.
Karena itu tetap ikuti kabar selanjutnya dari ASTRO hanya di KapanLagi.com®. Sudah nggak sabar nih menanti Jinjin dkk untuk debut!

Download Web Drama Korea Choco Bank Subtitle Indonesia


Download Web Drama Korea Choco Bank Subtitle Indonesia

Judul : Choco Bank (초코 뱅크)
Genre: Comedy, Romance, Drama
Type: Web drama
Episodes: 6
Broadcast network: Naver TV Cast
Broadcast period: February 15, 2016

Air time: Monday-Friday 10:00AM
Source SeptaSite(SS)

Cast
Kim Jong-in (Kai) as Kim Eun-haeng
Park Eun-bin as Ha Cho-co
Yeon Joon-seok as –
Lee Chae-Won as –

Lee Il-hwa as Eun-haeng’s mother

Sinopsis
Choco Bank adalah tentang seorang pria bernama Kim Eun-haeng (Kai), yang merupakan lulusan perguruan tinggi memasuki dunia kerja. Ayahnya memastikan ia memiliki awal yang beruntung dalam hidup dengan memberinya nama yang berarti uang. Eun Haeng (berarti Bank di Korea) akan berurusan dengan keprihatinan banyak orang di usia 20-an berjuang dengan ketika mereka mulai bekerja untuk pertama kalinya. Dan seorang gadis bernama Ha Cho-co (Park Eun-bin) yang bersiap-siap untuk memulai bisnis. cerita bermain keluar sebagai kedua bertemu dan mengetahui lebih lanjut tentang industri jasa keuangan.

ScreenShot











 


 THANKS,.....

Saturday, February 20, 2016

This Week in Kpop: February 14-20, 2016

NU'EST Overcome

This Week in Kpop is all about the comebacks. NU'EST and Rainbow are back, but so are groups like Double S 301 (formally 501)! But just when you think everything old is new again, there's a new rookie group that you should be paying attention to. With that in mind, let's get started already!

NU'EST Overcomes


NU'EST came back this week and brought in the smooth and the sexy, and we're not just talking about Ren's lush long hair here. While we'd just be happy to see NU'EST having a comeback with Pledis Entertainment's financial woes, "Overcome" is actually a quality jam, reminiscent of their most popular song, "Face" even.


It's a welcome turn away from their more quasi-ballad, "I'm Bad," which failed to generate much interest, if any. 


Perhaps they went too far into ballad territory? NU'EST seems to work best in the realm of pop jams that have a more adult sexiness at their core, a serious, almost melodramatic flair that feels more like traditional Kpop with a hint of R&B at a time when hip hop has taken a hold of most boy groups. On the other end of that spectrum? Groups like Pledis Entertainment's very own Seventeen (of which we adore), a young, cheery group that really compliments the more mature and forlorn NU'EST.

Which is to say, while NU'EST's "Overcome" doesn't really break any new ground here, it's of note because it's holding ground. With returning to form, NU'EST doesn't have to reinvent the wheel, they just have to remind Kpop fans why that wheel was so wonderful to being with. Does this song remind you, netizen? Is NU'EST's "Overcome" the next step in Pledis Entertainment's rehabilitation?

Rainbow's Return


Speaking of holding ground, Rainbow came back this week with their quirky, 80's and, really, 90's inspired "Whoo." And like NU'EST, we're just happy to see them. They're one of our favorite girl groups and we've been charmed with their underdog status for years. Some groups are built on being perennially overlooked, and we were simply satisfied with bemoaning Rainbow's status under the shadow of the behemoth that was Kara, the flagship group of DSP.

But what happens when the flagship falls?

Well, it weighs down singles like "Whoo" with an amplified importance, one that shouldn't warrant, and this is no slur, a mid-level release. Because at this point of their career, it's a lot to ask Rainbow to suddenly take the reins of an agency that has treated them like the second tier for years now. They could do a dramatic reinvention, but how far could that take them with groups like Twice, G-Friend, and Red Velvet growing more popular everyday?

With that being said, "Whoo" is a good, fun release. It's fine. The women of Rainbow have never looked better. Woori is one of our favorite Kpop girl rappers and Jisook is adorables. The group is sexy without relying on provocative butt dances and have the charisma to carry what is essentially a GAP commercial (we've seen this comparison on various forums, credit goes to the Internet). But will this release push Rainbow to the top and save DSP?

No. But DSP should have planned for this contingency years ago, and instead they treated Rainbow like they didn't matter.

Brave Girls' Debut


Brave Girls debuted this week, and the rookie group impressed us with their sophisticated song, confident poise, and really strong concept for this music video. We'll learn more about this group soon, but they're now on our radar, and they should be on yours too, friends.

How to Build a Kpop Girl Group 



We welcomed Kushal Dev back this week, as he poses the question: What makes a girl group stand out? Wouldn't you like to know the answer? Check out his latest article here!

Critical Kpop Podcast - Episode 25: Fan Club Names Got Us Like "I'm So Pain"


It's time for another episode of the Critical Kpop Podcast! This week, Zander, Sarah, and Tim stress over new and old fan club names alike, and take a look at new releases from the likes of AOA Cream, Mamamoo, G.Soul, and the returning Rainbow and Double S 301! Listen harder, friends, but also listen here!

February 14-20, 2016

And that was This Week in Kpop! We had a lot of returning groups this week, and we're excited for what's coming around the corner (TAEMIN). Whatever does come around the corner, we'll be here to talk about it. Until then, have fun and be safe!


Friday, February 19, 2016

Critical Kpop Podcast - Episode 25: Fan Club Names Got Us Like 'I'm So Pain'


Join Sarah, Tim, and Zander as they stress over new and old fan club names and the seeming thoughtlessness of entertainment companies. The crew reviews some impressive releases from the likes of AOA Cream, Mamamoo, and G.Soul, but this week is all about the old guard with Double S 301, Kim Jae Joong, and even Rainbow coming back with new music. Do you remember a time before we had such great music? Of course not, it was BK: Before Kpop! Listen here, friend!


You can subscribe to the Critical Kpop Podcast or check out this and future episodes on iTunesStitcher, or Mixcloud. You can expect a healthy serving of news, reviews, and critical analysis in every episode. The Critical Kpop Podcast is the only podcast that invites you to LISTEN HARDER.

Wednesday, February 17, 2016

How to Build a Kpop Girl Group


Here at CriticalKpop, we love our girl groups. From cute to sexy to everything in between, girl groups have tried almost everything to stand out in a world of Generations, Brown Eyes and Wonder. As the public jumps to Melon and Olleh for catchy songs and fans crowd concert venues and record stores, the question must be asked — what makes a Kpop girl group stand out?

Is it a catchy song? A pretty face? A killer choreography? Maybe a great vocal? How about a variety star? The problem with that question is, well, the answer could be anything. Girls’ Generation slayed with a cute tune and some skinny jeans, while EXID became relevant with a fancam, of all things. Considering these facts, we should probably revise our question — what sustains a Kpop girl group? What builds a fan base, and keeps them interesting comeback after comeback? And there’s only one answer to this question: everything.

That’s right — dynamic is the true key to a girl group’s success. Every member brings something, whether it be talent, personality, or visuals, to make the group well-rounded and likeable across the board. Without it, the group will undoubtedly flop after that one catchy song falls off the charts. The importance of group dynamic seems to be a constant over the years, from legends like Girls’ Generation to new trends like TWICE. Let’s take a look at how dynamics have affected groups, both in success and failure, over the years.


Girls’ Generation making their debut with “Into the New World” (Image Credit: AllKpop)

From August 5th, 2007, it was clear that Kpop had a dynamic rookie monster in its hands — 9-member Girls’ Generation, who would, a few years later, become Kpop’s most powerful group, transcending music and permeating into Asian culture itself. But it wasn’t just good looks or “Gee” that made them the girl group they’ve become. The group was designed to succeed, with four strong vocalists (Taeyeon, Jessica, Seohyun, Tiffany) all with varying ranges, specialties and tonalities, four talented dancers (Yuri, Sooyoung, Hyoyeon, Yoona), an in-between who specializes in aegyo (Sunny), variety talents (Hyoyeon, Sooyoung, Sunny), and mind-blowing visuals (Yoona, Taeyeon).

The group could handle almost any song, from using lollipops on stage in “Kissing You” to rocking caps and ripped jeans in “I Got a Boy,” because of the wide display of talent and ability. Members of the public were bound to be interested in one way or another — if you didn’t like their song, you might have liked the intense choreography, Yoona’s latest CF or Sooyoung’s recent variety appearance. The group had a monopoly on what Kpop was all about: charm. Not just talent, but charm — the ability to captivate an audience through whatever means available. And that charm didn’t leave with Jessica in 2014. The group was not only so established, but also strong enough with the mix of personalities, vocals, and dance that it could carry on without one of its central members just as successfully as it had before. SNSD is the poster child of group dynamics, gathering both public recognition and a gigantic fan base in the 8.5 years since that fateful August.

2NE1 reintroduce themselves at the 2015 MAMA Awards

Fast forward to 2009, and you get a slightly different story. 2NE1 debuted to immediate success, with all-around talents from CL and Minzy, vocals and long legs (they were so notable that they seem to serve as a charm of their own) from Bom, and visuals from Dara. Despite horrible management after 2012, the group was able to make its notable share of accomplishments through a well-rounded display of talent, as well as a ton of personality through 2NE1TV, one of Kpop’s most-watched reality shows.

You also have f(x), which is another dynamic masterpiece and consequential success, with vocals (Krystal, Luna), visuals (Krystal, Victoria, Sulli), and rap (Amber, occasionally Sulli). The group has repeatedly received heat, however, for Krystal’s seemingly cold personality, and Sulli’s alleged lack of professionalism. Seven years in, f(x) has seen some loss in popularity as a result, losing “trend” status to newer groups like Girl's Day and AOA. It ultimately demonstrates that showing weakness in one of the many components of a girl group’s charm can significantly affect success. Following the same line of logic to 2010, Miss A can push Suzy’s charms all they want, but she alone can’t make 4-member Miss A one of Kpop’s legendary girl groups — a claim proven by their repeated hit-or-miss comebacks over the years. Despite the other member’s talents, they don’t make a dynamically full girl group in the public’s eyes, which hurts their album sales and chart rankings time after time.

If we keep going forward in Kpop history, the trend is continuously prevalent. Yeah, Hyeri can act herself to fame on Reply 1988, but Sojin’s vocals, combined with visuals from Minah and Yura and a newfound sexy concept, maintained interest in the group for years to come, ultimately making them one of Kpop’s biggest success stories. SPICA’s vocal-heavy lineup works well for the ear, but doesn’t do much for the rest of their appeal, which shows in their long hiatuses and lack of top 10 hits. Hani can “wi arae, wi wi arae” to her heart’s content for the fan camera, but it was ultimately great music, Solji’s vocals and the group’s unique variety color that gave them notoriety instead of disbandment.


TWICE: the ultimate package of Kpop charm (Image Credit: wowkeren.com)

As we dive head-first into a new year of Kpop, the same pattern unfolds before us, but even more noticeably than before. TWICE was designed almost exactly like Girls’ Generation (arguably better, depending on who you ask). You have one power vocal at the center (Jihyo, like Taeyeon) with two other strong singers (Jeongyeon and Nayeon, like Tiffany, Seohyun and Jessica), great dancers (Momo and Mina, like Hyoyeon, Sooyoung and Yuri), an in-between that knows how to put on a show (Sana, like Sunny), and a beautiful visual (Tzuyu, like Yoona). The slight differences actually make TWICE even stronger as a dynamic group, with versatile rappers (Dahyun and Chaeyoung) and multi-national members from both Taiwan (Tzuyu) and Japan (Momo, Sana, Mina). And the incredible dynamic in this group is bringing them incredible success — their debut song “Like OOH-AHH” lurks at the edges of real-time top 10 on Korean charts 5 months after release, and their mini-album, The Story Begins, has sold 55,000 copies, more than albums from more established groups like Red Velvet have ever sold.

GFriend in recent hit release, "Rough"

GFriend is another new girl group finding success, becoming the year’s first act to hit a perfect all-kill with their song “Rough.” But the difference between GFriend and TWICE is clear — TWICE is getting known for its wide variety of members, building a large fan base and public popularity in the process, while GFriend is getting popular off of a few slips on stage and a good song to follow. GFriend’s success is nothing to laugh at right now, considering that even Taeyeon came nowhere near climbing over them on the charts this past week, but their continued relevance is questionable. Without members being known to the public, will the world get bored of their musical color (which notably takes after Girls’ Generation’s iconic debut song) and look for a group with a more exciting dynamic (a group possibly like TWICE)? A seeming lack of dynamic endangers GFriend’s popularity in the same way that a strong dynamic ensures TWICE’s success.

So, if you ever had a slight inclination to, oh, I don’t know, build a Kpop girl group from scratch, be careful. Don’t pick just anybody — make a group that catches your attention with not just one gimmick set to expire in a comeback or two, but everything. In the world of Kpop, a girl group that defines a Generation, one that makes you think about them Twice, can sing into a microphone, dance under the lights, pose for a camera, laugh on screen, and much, much more.

Kushal Dev is an Indian-American writer based in New Jersey. He discovered K-Pop through friends and YouTube, and has been an avid follower of Korean entertainment for 4 years. He biases 2NE1, Girls' Generation, f(x), MAMAMOO and EXID.