Thursday, May 14, 2015

'Into You' Proves that Hyoseong is the Nation's Crazy Ex-Girlfriend

Hyoseong is Trouble

Hyoseong has finally proved it with "Into You." She's the quintessential crazy ex-girlfriend of Kpop. Hear me out. This is not a slur. Somehow or another, Korea has a way of defining (crowning) their most popular idols in affectionately hyperbolic terms. Women like Hyori and HyunA have been referred to as "Queens," while miss A's Suzy is the "Nation's First Love" and IU the "Nation's Little Sister." If we think of Hyoseong in these terms, the choice is clear. There can be no other title. She is the Nation's Crazy Ex-Girlfriend

Beware.


She was out of their league and the Nation knew it from the start. Years after their short but intense relationship, one of the Nation's friends will see old pictures of them together on Facebook (the Nation doesn't have the heart to take them down), and they'll ask, "You got with her?"

"Oh, yes," the Nation will say, with a touch of the same sadness that always follows them. "Her." They'll remember the good times. When just a gift could make her swoon.

Hyoseong loves the Nation

Or the times they spent near the ocean, where they would pretend to be stranded, just the Nation and her (and her strangely clingy friends). The Nation will want to forget those wonderful times.

Hyoseong shipwrecked

Things ran hot for a while, the Nation will recall, but, eventually, Hyoseong's strange politics and seeming disloyalty to her friends gave the Nation pause. Hyoseong wanted total devotion and time and that's something the Nation, ultimately, couldn't give. They weren't even surprised when Hyoseong called things off, via text message, just three months in. And then she said, no, let's stay together, no, let's break up. No, I don't know. Before, finally, mercifully, she ended things. But that's not what haunts the Nation. It was what happened after the breakup that forever scars them, forever giving her the title as the Nation's Crazy Ex-Girlfriend.

Let's just say she took the breakup hard.

Hyoseong Devestated

Hyoseong is a certain type of ex-girlfriend that encompasses all certain types of ex-girlfriends.

Hyoseong is the type of ex-girlfriend that will come to the Nation's office, out of the blue, in the sexiest little red dress the Nation has ever seen and regale them with her current crimes and misdemeanors. And then right when the Nation thinks they've got her back, even against their best interests, she f*cking poisons them.


Hyoseong is the crazy ex-girlfriend that comes to the Nation's f*cking wedding (was she even invited?) just to show the Nation what they're really missing. She'll even joke with the Nation's bride just to see the Nation sweat. Then, right when the Nation thinks the humiliation is over, Hyoseong here gives back that rare diamond the Nation gave her (at great expense) on this, the Nation's wedding day of all days because Hyoseong wants the Nation to know she just doesn't give a f*ck.

Hyoseong Pwned you

And then Hyoseong will smile just thinking about that. That's the type of ex-girlfriend Hyoseong is. You know what I'm talking about. That goodnight kiss is the kiss of death.


The Nation will remember that she's getting therapy. But they're not so sure it's helping. They know that she has two sides raging madly beneath her like a d*mn Scorpio with Scorpio ascendant. Then the Nation finds out later that Hyoseong is just seeing herself, that she thinks she's good enough at therapy already to give herself therapy, 100 bucks an hour, and the Nation will finally realize how bat-sh*t crazy this girl, this adult woman, really is.

Hyoseong Therapy

With "Into You" Hyoseong plays the type (we've all had/will have this type of ex) once again. Underneath the cheesecake and sweet smiles, there's something foreboding and wistful with the videotapes of Hyoseong being viewed in a dark, grimy room, as if a damaged, emotionally hollow Nation is trying to relive a former, elusive magic.

Hyoseong videotapes Into You

Hyoseong has done a number on them, as she will with any Nation that has fallen under her voluptuous charms.

So when the Nation's friend ask, "You got with her?" The Nation will instinctively think: She's the one that got away. And then the Nation will remember everything they've been through with Hyoseong and think: Thank God. 




Timothy Moore writes from Chicago. He blogs at Read My Blog Please, and edits at Ghost Ocean Magazine. His biases are T-ara, Block B, Nine Muses, Brown Eyed Girls, and Girl's Day.



Tuesday, May 12, 2015

Review: ‘Sixteen’ is My New Guilty Pleasure


Sixteen, the new reality show by JYP Entertainment, is the latest in a long line of Kpop talent competitions. The show pits sixteen aspiring trainees against one another, all of them vying for a spot in the upcoming JYP girl group, Twice. It’s also my new guilty pleasure.

But this admission comes only a few weeks after I panned Unpretty Rapstar for producing needless drama, and now here I am, singing the praises of a seemingly very similar show. So what gives? Why is Sixteen any better than Unpretty Rapstar? And, more importantly, why should you give it your attention over the next few weeks?


The first reason I’ll give you is an obvious one: if you watch the full season, you’ll witness the very formation of JYP’s first girl group since Miss A. There’s no guarantee that the members of Twice will be stars. But if I were a betting man, I’d probably put money on it. In three years time, Twice will almost certainly be part of the mainstream Kpop scene, and it’s exciting to see the early stages. The premise of the show is designed to give us exactly that. Starting with sixteen young trainees, JYP will separate the wheat from the chaff, eliminating one woman at a time until he has an identifiable and exciting group. And that’s it. That’s the goal. It’s so clear, so precise, so...understandable.


One of the biggest problems with Unpretty Rapstar is that not a single person understood what the purpose of the show was. In fact, I’d wager that the very members of the show had no idea. They seemed equally concerned with “getting eliminated” as they did with starting drama, when all that really mattered (I think?) was getting selected to work with a producer on a single. But none of it was clear. No one knew what was going on, least of all the audience, and it made for a real mess of a show.

I want to be clear that I think Sixteen makes for excellent television. It probably won’t lead to any memorable music production, at least not until Twice becomes a real group. On the other hand, while Unpretty Rapstar made for terrible television, it happened to produce a fair amount of good music. “Puss” will probably be remembered as the best female rap song of the year. I’m not recommending that you watch Sixteen for the music or even the dancing. It doesn’t excel in either category. As television, however, it’s pure television gold.


And a lot of that has to do with JYP being one of the most exciting, enigmatic, and unpredictable icons in Kpop. He’s part mogul, part idol, and part evil genius. He can manage some of the biggest stars in Korea one day, then sing about his love of booty the next, and on the seventh day, when even God rested, JYP can plan one of the most intriguing social experiments ever to hit the small screen. It goes something like this.

[SPOILERS FOR EPISODE ONE]

Before any competition, before any show of talent, almost before any of the contestants names were known, JYP divided the sixteen women into two groups: Major and Minor. The Majors would receive star treatment: access to idol mentors, better practice times, comfortable travel, and spacious and clean living arrangements. The Minors would receive none of these perks. It’s a classic social experiment, and it’s extremely gutsy.


JYP, in my opinion, knows exactly what he’s doing. He understands the fact that some of his trainees are in need of a little validation (those in the Major category), and some of his trainees need to be fighting for their lives to show their true potential (those in the Minor category). Think of Mina, a trainee for only one year. It would be easy for her to believe that she has no chance against some of the veterans of the JYP system. But JYP believes in her and places her in the Majors. Mina should thrive on that confidence; it’s exactly the validation she needs. On the other end of the spectrum is Ji Hyo, a trainee for ten years. The only way to be sure he would get the best out of Ji Hyo was for JYP to force her to realize that her seniority means nothing in this competition. Not here. Not when the stakes are so high. "Ten years a trainee" is nothing but bad-sounding parody.

JYP’s genius goes even further than understanding how to manage talent, however. He also understands that his viewers are coming into the show with absolutely no bias. We don’t know any of these trainees. They’re not famous. They haven’t done anything yet. We have no reason to like person X over person Y. At the outset, we have no story. So JYP creates one for us, using archetypes.


As humans we are social animals, and all of us have an ingrained understanding of social hierarchy. We often respond to it subconsciously. But when someone comes in and upsets the normal hierarchy (i.e. replaces seniority with a self-imposed Major/Minor system), we feel that change viscerally. We immediately react to seven trainees being elevated to a Major status, while the other nine suffer the disrespect of being assigned to the Minors. The creation of this archetype, even if it makes us hate JYP, gives us someone to root for. Personally, I love a good underdog story, and that’s exactly what the Minors are reminding me. I’m going to root for every last one of them. Down with cake-eaters! (Until they do something amazing that makes me secretly like them anyways.)

I think I should take a moment here to admit that Sixteen has flaws, many of them. It’s been derided as overly cruel, exploitative, and drama-heavy. I wouldn’t spend my time debating those points, because I think a certain level of all three is to be expected from any talent competition. And Sixteen, comparatively, is no worse than the rest. If the basis of a show is to grant rewards following public judgment, it is going to be cruel, exploitative, and drama-heavy.


Every talent competition is rife with voyeuristic moments. All of them purport to show us reality. Never for a second did I believe that any of the women in Unpretty Rapstar took the show to be anything more than a paycheck and a way back into the spotlight. Unpretty Rapstar was like watching a bad season of Dancing with the Stars or Celebrity Rehab. We know all of them from somewhere, we already have our biases, and we already know which of them will succeed and which will fail. We know who the wannabes are who wait until the end to leech off the show’s popularity (cough, Bora).

Sixteen shines in its believability. Because all of the contestants come in with a blank slate, I can believe that these are actual trainees that want to join JYP’s next girl group. I don’t look at Mina and Ji Hyo, or Dahyun (was that an eagle dance?), or Natty (the youngest competitor) and roll my eyes, waiting for the drama. Instead, I look forward to every episode. And I think you will too.





Zander Stachniak is a southern-born, Chicago-based writer who first discovered Kpop through ShoutCast Radio. His biases are f(x) and Block B.

Saturday, May 9, 2015

This Week in Kpop: May 3-9, 2015

Hyunseung Solo Debut

This Week in Kpop may not have been as epic as last week's BIG BANG, but it certainly provided some
excitement! We're talking releases from the likes of Hyunseung, BoA, Jay Park, Eunjung and some BESTies. We have a full plate, so let's get started already!

Hyunseung's "You're the First"


Hyunseung had his solo debut this week and there's a lot to love with "You're the First," especially when Hyunseung really has a chance to break loose with the choreography. The video is pretty ridiculous and a little more boyish than we expected (instead of sexy and smooth) as he pursues a gorgeous girl (and, at the end, masturbates imagining her?!?). Is it wrong for us to crave a more refined Hyunseung circa "Troublemaker?" Probably. But some of the mischief and lusting just comes off as goofy, and Hyunseung is a bonafide sex symbol, so why not run with that?

The song really picks up in the third act, when we move beyond the autotune and Hyunseung has an extended, and impressive, dance break. It almost feels like a teaser for something more substantial. We're actually most excited for the live performances in the coming weeks just to see the full range of Hyunseung's moves (there's a dance version to the music video coming out, right?!). Even with some drawbacks, "You're the First" is catchy and fun, just right for the upcoming summer season. Hyunseung has the charisma and talent to will this into a major release, even with Big Bang and BTS taking hold of the top of the charts. It's going to be crowded up there, and that will only mean good things for us fans. Because, seriously, isn't this a great time to be loving Kpop?

BoA's "Who Are You"


It's always great to see BoA. By now, she's an institution. Like Hyunseung, BoA's release is marked by perhaps unfair expectations. We'd like to have seen some killer choreography from the master, but "Who Are You" is mostly just trying to be a poppy love song with cheesy SM graphics. 'Tis the season? The video also makes BoA seem superficial, but only in that way that could only be okay in image-conscious Korea. Glasses - gross!!!! We admit it. We adore BoA, but we're not so crazy about this release, and were pretty bored with the music video even when BoA acquired super powers in the end. Fortunately, we'll be getting another release soon, with "Kiss My Lips" already looking like a killer song and music video.


Jay Park's "Sex Trip"


The title itself should prepare you for something raunchy, and Jay Park delivers! We even get some under-boob, which is a rare feat for any Korean music video. This video just sizzles in ways that will make you feel uncomfortable. Do not watch this in public. Do not watch this with friends. Watch this alone, with the door shut. Also: Notice that this song is in English? How cool is that?

BESTie's "Excuse Me"


Those legs tho. BESTie came back this week with the lighthearted and entertaining "Excuse Me." BESTie might be on the verge here, especially if EXID's success somehow rubs off (with their history, BESTie feels like a sister group). Always stunning, BESTie has never looked better here, and this video does some interesting things and even has some moments that surprised us, especially in super-conservative Korea.

(Eunjung) Elsie's "I'm Good"


And the winner of the most confusing release of the year goes to...MBK Entertainment, for their head scratching solo debut for T-ara's Eunjung! Or maybe, perhaps, there's a strategy here. Eunjung gave an enlightening interview with 1theK's #hashtag, where she explains some of the reasoning behind releasing "I'm Good" under the name of Elsie, and making this song a "blind concept" (with, we assume, the teasers without her face). "I wanted to let people listen to the music, not my name," she says. An interesting choice, and one we can respect. But still, we were hoping for something more here, as Eunjung is one of our favorite idols in our favorite groups. Still, the song is growing on us. Just not wowing us. But enough from us, check out the #hashtag interview for more insights! 




Always ready to branch out to new things, we're happy to be giving our first book review! Giacomo Lee's novel, Funereal, brings death and suicide in Korean culture to the forefront, and you can check out our review here



We're nearing the conclusion of our epic fan fiction. Truths are revealed. And death comes to Kpop High. Check out our latest episode here!

May 3-9, 2015

And that was This Week in Kpop! We love that we got so many new releases, even though, with some, we were hoping for more. Are we expecting too much? Maybe just getting a new release from, say, BoA, should be enough. Big Bang is back and now we're spoiled rotten. This week is over. Next week is just around the corner. So until next time, have fun and be safe!


Friday, May 8, 2015

King and Queen, Episode 17


King & Queen is a Kpop fan fiction drama that is released in an episodic format exclusively at Critical Kpop. Enjoy and keep tuning in for the continuing story! Catch up on previous episodes here!

***

“Tony, over here!”

Hyori calls to her colleague before her brain can process what is in front of her. Slumped over on the auditorium stage floor, is Detective Gary, motionless.

“Help!” she calls out. “Find the lights!”

Hyori rushes to Gary’s side, cradling his head in her arms. She sees no blood, no visible sign of what might be wrong. She frantically pushes two fingers to his carotid artery, searching for a pulse. Before she can find it Gary coughs. He twitches two times then opens his eyes, slowly.

“Detective Gary,” she says. “Can you hear me?” The stage lights come on but his pupils stay dilated, unfocused.

Tony An rushes to her side. “Is he okay?”

“I think he has a concussion.” Hyori lifts his head and checks his scalp like a mother searching her son for scrapes. Gary groans. A singular sound of pain. “We need to get him to a doctor.”

“Who did this to him?” Tony asks, but there’s no answer.

“Come on, help me get him out of here.”

Gary groans again, but this time it sounds like speech, like words attempted and failed.

“Gary?” Tony An asks again. “Who did this to you?”

“Tony, stop,” Hyori says.

“What?”

“He needs medical attention.”

“I’m all right,” Gary says, slowly coming to. He pushes himself up into a sitting position, only for Tony An to grab his arm.

“Tony!”

“You want to fix this, don’t you?”

Hyori pauses, unsure if what he says makes sense. Fix this? Is there any fixing when it comes to something that has already happened? The best they could hope for at this point is that no one else gets hurt.

“Who did this?” Tony repeats. “Tell me who it was and I’ll find him.”

“What makes you think it was a him?” Gary says.

And then they hear it, a noise that snaps through the air with a pop.

“Was that a--?”

“Time to go,” Gary finishes for her. “Help me up.”

***

A sound like the crack of a whip. Ailee freezes. “What was that?”

She’s halfway to checking on Jonghyun, not out of care or concern, but a different instinct, one she’s only recently recognized in herself. A survival instinct. Now she senses a new danger, but she doesn’t see it in Zico or Rap Monster.

Zico looks down at her, his eyes wide and full of fear. “I just…”

“You knocked him out,” Rap Monster finishes for him, clearly impressed.

“Stop! You didn’t hear that?” Ailee listens, waiting to hear the sound again.

Zico shakes his head, then looks down to see he’s still holding the heavy trophy, the instrument of his attack against the Grand Master of The Nameless. “Are you okay?” he says.

Okay? Ailee stops and thinks about it. She looks around her, at Jonghyun breathing softly on the floor, all of them scared, witnesses to JYP’s attempted murder, then attacked themselves. The hours spent in fear, unsure, helpless. Were any of them okay?

“Thank you,” she says, is all she can think to say to Zico for saving her life. “But I think we need to get out of here.”

“You’re right,” Rap Monster says, nudging Jonghyun with his toe. “The sooner the better.”

“We should go to the police,” she says.

“And say what?” Zico asks, setting the trophy down nervously.

“Tell them what we know.”

“I don’t know who shot JYP,” Zico admits.

“It wasn’t Jonghyun?” Rap Monster asks.

Zico shakes his head. “Not his style.”

“You really don’t know who did it?”

“I wish I did, but I don’t. I can’t tell you what I don’t know.”

“We know enough.” Ailee says.

But Zico corrects her. “No,” he says. “We’re missing the most important piece.”

“He’s right,” Rap Monster chimes in. “It’s not the police we need right now.”

And then Ailee understands. “The 9:00am meeting.”

“Exactly.”

“On stage in front of everyone.”

The three of them lock eyes over Jonghyun’s collapsed body, making a silent pact to see it through, to make sure it was all worth it. They will draw out JYP’s shooter in front of the entire student body of Kpop High.

“Where everybody sees you,” Rap Monster finishes.

There’s a chill in the air, and it’s far too quiet.

“Let’s get out of here,” Ailee says, and they scatter.

***

“Stop!” HyunA hears. Before the crack, the boom, there’s a scream, a command, one that is so deep and so penetrating, that both Amber and IU stop in their tracks. They’re so close to the doors that she can almost touch the handles. HyunA knows that this night can be over if she just goes through the doors. Then she can forget all this. All this drama, this backstabbing. This farce.

What is she even doing here? Not just here tonight. What on earth is she doing at Kpop High? She doesn’t belong here. Krystal made that clear. Her supposed friends made that clear by leaving her out. Maybe girls like her never would fit in here. The doors. They’re right there. And she can be gone from here forever.

But she has to know. She has to know who else is here. Call it an innate curiosity. And what did curiosity bring that cat again?

Before the boom, she sees Amber’s reaction first. She looks furious. Like she can punch whoever called out to them. Why not? She already took down Krystal and 4minute. She probably feels like she can take on the world. She had taken HyunA’s side, trusted her. HyunA can’t trust her own friends, but she knows she can trust Amber.

And then she sees IU. There’s a hooded figure before her. They’ve entered some horror movie, but IU looks calm. Expecting. HyunA doesn’t always understand this girl, but she respects her. She’s a fighter. If they hadn’t stumbled on her being ambushed by 4Minute in the girl’s bathroom, maybe she would have still beat them back.

HyunA remembers the first time she met IU. She had heard about IU even before she had gotten to Kpop High. JYP had put her on all of the brochures. The girl with the three high notes. The inevitable idol. The one who would be Queen. HyunA assumed that she would hate her from the start. But when she spotted her on her first day. At the lunchroom. What did she see? People like Jiyeon and Suzy surrounding IU, talking at her. But in every other possible way, IU was alone. IU caught HyunA looking. They had eye contact. HyunA found that she couldn’t look away. Because she thought it was funny how uninterested IU looked, HyunA winked at her. She’s never forgotten IU’s expression. She didn’t wink back but IU nodded at her. She was in on the joke. What was worse was that she was entrapped by the joke. A prisoner by something more than her success. Something as scary as her destiny. HyunA hasn’t forgotten that look. She sees that look now. IU nods at this hooded figure. So close. The door’s right there. They’re so close. They don’t have to stop.

The hooded figure is cloaked by the night. Before the boom that cracks open the world, IU looks hypnotized but then says, “I knew it.”

And then the hooded figure takes out a gun. Even in the dark, it shines. Amber tries to scream but is in shock. She’s right next to IU. They’re both frozen. The door is right there. HyunA doesn’t think, she jumps. She tries to knock both Amber and IU down, but the bullet is faster. She only gets to Amber. The boom. The boom seems to shatter the air. The bullet seems like it’s breaking through the atmosphere. It smells like sulfur and fire and when it hits IU in the stomach it knocks her on top of HyunA and Amber smashing into them like a bundle of bricks.

“No no no -” Amber says, clutching her own body on the ground. But HyunA has the wherewithal to check on IU, as the hooded figure slinks into the black. She grabs her, holds her on the floor, IU’s blood getting all over her lap, her legs.

It’s HyunA who says, “Who was that? What’s going on?”

And IU says, “HyunA.” She smiles, then coughs. “Find Chanhyuk.” And then she winks. And then she dies in HyunA’s arms.



To Be Continued...



-C

Wednesday, May 6, 2015

Novel Review: Giacomo Lee’s ‘Funereal’


There is an urgent need for active conversation about the prevalence of suicide in South Korea. The novel, as an incubator for cultural change and new ideas, is often capable of generating dialogue when other forms of communication are stifled by fear, pride, and social customs. For those of us who are unsure of how to talk about suicide in Korea, Funereal, the new novel by Giacomo Lee, is one place we might begin.

Soobin Shin is a young woman struggling both to make ends meet and to find any joy in her life. But when Soobin takes an unexpected job with OneLife Korea hosting make-believe funeral ceremonies so that her clients can experience the ritual of their own deaths, her own outlook on life is changed forever.

Throughout the novel, Soobin Shin deals first-hand with many of the issues that plague modern Korea, such as the impossible perfection of idols, escapism as a means of survival, and an over-reliance on quick fixes to solve long-term problems. One of the most pointed moments in the novel comes from high-power executive and OneLife Korea client, Geonwon Kang, who notes of Koreans’ outlook on depression that, “if we can’t see it, then officially nothing’s happening.”

The majority of Funereal centers around Soobin’s employment with OneLife Korea and her experiences of “help[ing] the suicidal confront death and realize it’s not what they want.” Although a company that puts on fake funerals sounds like a surreal and completely fictional enterprise, Giacomo Lee notes in an article on Medium that the inspiration for his novel came from South Korea’s very real Coffin Academy, a last rites service designed to make people appreciate their lives. What’s more interesting from that article, however, is Lee’s self-effacing fear that writing about suicide might create more problems than it solves. “I wondered if my novel was utterly irresponsible” Lee writes, before eventually coming to Funereal’s defense. And he’s right to defend it. As he notes, Funereal does not describe any suicide in detail. He’s careful not to valorize it in any way. For Lee, a novel about suicide must strike a balance between honest dialogue and doing no harm.

As the first Western writer attempting to cover modern day South Korea in the English language, Giacomo Lee does a laudable job presenting these issues in an honest, but careful, way. Funereal matches an engaging story with real and genuine conversation about suicide in a way that is not often accomplished. One novel cannot, by itself, change the dangerously high rate of suicide in South Korea, but it’s an excellent start. Because as Joe Han, founder of OneLife Korea notes, “Too many people are dying in this country.”

You can buy a copy of Funereal, here.

Friday, May 1, 2015

This Week in Kpop: April 26-May 2, 2015

Taeyang Big Bang Loser

This Week in Kpop started with "God" and ended with a Big Bang! With a handful of teasers, Lim Kim, and BTS in-between. Talk about epic! We're reaching cosmic levels of Kpop here, so let's get started already!

Big Bang is Back 


This is not a dream - this is not an illusion! Big Bang is back. We repeat: BIG BANG IS BACK. Together. We can't believe it either. And the greatest part is, this is just the beginning. For now, we get the sometimes heart-wrenching "Loser" and the drug-inspired "Bae Bae," two very different songs and videos that actually draw some important similarities from each other too.

"Loser" examines each member of Big Bang at their lowest (and holy crap does Daesung get low here), from heartbreak, being beaten up, hopelessness, loneliness, and um, murder (someone get TOP, a lawyer). While many boy groups throw their idols into traumatic, emotional situations, there's something a bit more nuanced here that elevates Big Bang from the rest. There's real emotional resonance that hits at you. Who hasn't felt hopeless? Who else has had a rage that couldn't be released? Who hasn't murdered someone (just kidding)? Life is full of losing, and by focusing not just on love lost, Big Bang examines more of the gamut. "Loser" also helps remind us how amazing it is to hear all five members of Big Bang singing together. They all work well on their own projects, sure, but together, with their unique characteristics and talents and voices, they become something more.

And then there's "Bae Bae." While "Loser" deals with some harsh reality, "Bae Bae" brings us into dreams. If "Loser" examines different struggles, "Bae Bae" brings us different fantasy worlds, each occupied by different members of Big Bang. In many ways, these videos are a perfect compliment for each other. Here Big Bang can have fun and look ridiculous (again, someone get TOP a lawyer). We love it, almost more than we love "Loser." But don't make us choose.


Big Bang is really back. How cool is that?

BTS is Back Too



This is how big Big Bang's comeback is. It makes BTS, one of the best groups in all of Kpop, something close to an afterthought. And that's a shame, really. Of course, BTS will have success with their release; Big Bang is certainly not a monolith that will consume all of Kpop for the next six months. But "I Need U" is too smooth, too slick, to not be completely dominating the charts, wiping away all of the competition. It's bad timing, though Kpop is certainly big enough for both BTS and Big Bang, especially since the groups are doing very different things. "I Need U" is just what you should be listening to right now. Make a playlist with this and the Big Bang songs if you need to. It's a great time to be listening to Kpop.

Jimin and J.Don's "GOD"


And then there was GOD. Both coinciding and capitalizing on her success with Unpretty Rapstar and the surprise hit, "Puss," Jimin and J.Don give us a worthy successor with "GOD." Jimin is on the verge here. We had our doubts, and maybe you did too, that Unpretty Rapstar would be good for her or that she even fit into this competition. But Jimin is killing it, whether you think she deserves to win or not. In the end, it's not even about winning. This experience will only help her career and the careers of the rest of AOA from here on out.

Lim Kim's "Love Game"


Lim Kim already won our MV of the Month (see below) so what else do you need to know about her other music video, this one for "Love Game?" Well, remember miss A's "Only You" music video with the peeping tom? Well, picture that. Except instead of singing to that creep or any other, Lim Kim nearly kills them all. And we're totally fine with that.

Are You Not Teased?


This week saw the release of so many teasers that we just had to scoop them up and put them in one place. Which place? This place, friends.

MV of the Month, Lim Kim's "Awoo"


Lim Kim gets our MV of the Month for April, with her mesmerizing "Awoo." We absolutely love this video. Here's why you should too.

King and Queen: Episode 16


We're not going to spoil this episode of King and Queen for you. But you can't miss this episode. Because after this one, nothing will be the same. Trust us.

April 26-May 2, 2015

And that was This Week in Kpop! What a massive, epic, ridiculously Big week this was! How can next week top (TOP?) this? We're not sure, but we're itching to see if it can! Until then, have fun and be safe!


Thursday, April 30, 2015

King and Queen, Episode 16


King & Queen is a Kpop fan fiction drama that is released in an episodic format exclusively at Critical Kpop. Enjoy and keep tuning in for the continuing story! Catch up on previous episodes here!


***

Her footsteps echo much too loudly through the empty hallways of Kpop High, but Ailee cannot stop. She’s aware of the police who would lock her in her dorm room, aware of the Nameless who would kill her for what she knows, but her only concern is putting space between herself and Zico. That she began the night as his date is a thought that sickens her now. Even Rap Monster, sweet boy, can only remind her of the eventual betrayal of all men. The promises that collapse when you most need to hold them tight.

Ailee storms down one hallway and the next, with Rap Monster tip-toeing behind her, urging caution. She’s not even sure what she’s looking for at this point. Something broken, she thinks. Something burning. Something she can fix. What she finds is Jonghyun, standing at the end of the next hallway as if he were waiting for her this whole time. A flame waiting patiently for a moth to come along.

“Ailee,” Rap Monster whispers his warning, “He’s dangerous. We should go.”

She walks forward anyways, and the click of her heels announce her approach like drums before a king. They are surrounded on either side by glass cases of trophies and placards announcing Kpop High’s illustrious past. Jonghyun makes her walk the full length of the hall before deigning to greet her.

“Ailee,” he says, with an angled nod of his head.

“Jonghyun,” Rap Monster answers, now standing beside her, his previous timidity gone, or at least hidden.

“Going on a late-night walk?” Jonghyun asks, mockery in his tone.

“Not quite, Grand Master,” she says. Jonghyun’s smile falters, but not for long.

“So you know my proper title. Very well, let us call a spade, a spade.”

“And a snake, a snake.” Ailee narrows her eyes at the man-who-might-be-murderer. She threatens without knowing what danger awaits her.

“Hardly complimentary. And what would you know of snakes, Ailee?” Though perfectly still, Jonghyun seems to slither back and forth ever so slightly.

“I know them when I see them.”

“And yet you did not complain when I helped you escape Tony An’s watch. You didn’t accuse me of anything when I helped you find your little pet.”

Ailee grabs Rap Monster’s shoulder to keep him from charging.

“We know what you’ve done,” he says through bared teeth.

“And what is that?”

“You shot JYP.”

“Goodness, is that what you think?” Jonghyun says, still mirthful. “That I had something to do with that tragic event? Tell me, do my hands look unclean? Do I look like the sort of person that would shoot a man in cold blood?”

“No,” Ailee says. “You look like someone who would do whatever it takes to get what you wan

“At last, we’re getting somewhere.” Jonghyun takes two steps forward. “And tell me, what is it that you want, Ailee?”

The question surprises her.

“Do you have a great desire to be an outcast? A social pariah? Is the thing you want most in this life for everyone to smile politely to your face and then gossip when you turn your back?” Another step forward. “And you, Rap Monster. You came to Kpop High hoping that you wouldn’t fit in? You came just for the opportunity to reject being an idol at every turn? I doubt that very much.” Another step and now Jonghyun is only an arm’s length away. “I think that what you want, what both of you want, is the same thing that drives all of us. Fame and glory,” he says, then drops to a whisper. “Look where we are, surrounded by trophies and medallions, golden discs and platinum records. Aren’t we all here to be King and Queen of Kpop High?”

“I don’t want that,” Ailee says.

“And yet your name was written in the winners’ envelope. Curious. Did you put it there?” As he speaks, Jonghyun removes a switchblade from the pocket of his suit coat. He opens it with a flick and waves it gracefully in front of Rap Monster. “Tell me honestly, Ailee. I won’t be mad.”

Her heart is racing. She can see the fear in Rap Monster’s eyes reflected off the smooth metal of the knife.

“Did you try to cheat your way to winning?”

“Of course not,” she says.

“Do you admit it’s curious, though?”

When Ailee does not answer, Jonghyun forces the knife below Rap Monster’s throat. “Yes,” she says.

“Who would vote for me?”

“But you maintain you had nothing to do with it.” Jonghyun looks directly in Rap Monster’s eyes, but his question is still for her.

“Yes.” Yes, she says, and hopes she is not condemning Rap Monster with her honestly.

“A pity,” Jonghyun says, turning the knife towards her. “We’re always looking for ambitious new recruits. It seems I have no need for you.”

Ailee’s voice is trapped inside her as Jonghyun grabs her in a headlock. He points the knife first at Rap Monster, then, at her. The point of the blade dimples her cheek, and Rap Monster can only watch, frozen and helpless. She sees the promise of all men collapse in his eyes.

Ailee waits for her life to flash before her. She waits for images of her lonely childhood, of her mother and father’s coldness, of the joy she found in singing. She waits to relive the day of her audition, the happiness she felt when she got in. She waits to feel the cold settle in, as she passes from this world to the next.

Instead she feels a jolt, and then Jonghyun slides to the floor beside her like a ragdoll.

She spins around.

“Zico?”

He’s standing there, holding an old trophy, upside down, the base having just connected with Jonghyun’s skull.

***

Krystal screams, “Don’t just stand there! Help!” as she tries to hold IU down against one of the bathroom stall doors with the rest of 4Minute. The rest of 4Minute, Amber notices, except for HyunA. She knows she should help. Krystal is her friend. Her fellow member. Part of her team. But then why does she keep looking to HyunA? Why does she expect her to be her guide?

Even HyunA seems to be annoyed by Amber’s indecision. She snorts, looks away. Gayoon, her cheek bleeding, has joined the fray, slapping IU across her face, out for blood. Blood is what she gets, as IU spits some in her face.

Everything is pointing to IU being some crazed killer here. The way IU laughs as Gayoon screams. The way she pushes away Krystal and 4Minute, desperate to flee. Logic is pointing towards IU’s guilt. But there’s something tugging at Amber, making her doubt her friend, this scene, everything that made her sneak out tonight to begin with.

Years later, she’ll think that her doubt set in the moment Krystal argued with HyunA, how she saw her friend’s true colors then and there. Or perhaps it was when she saw the look on IU’s face, and could see in her eyes that not all was as it seems.

But the real reason Amber pushes down 4Minute, tripping Krystal to the ground, screaming at HyunA to help IU as they rush out the doors, is because Amber’s intuition, often subconscious, was so finely tuned that it would often lead her to these conclusions. Her intuition had led her to sneaking out with HyunA, because her subconscious knew that HyunA had her best interests in mind. Her intuition told her that Krystal could not be trusted. Her intuition, her gut, her sense of right and wrong, told her that no matter what she did, she had to save IU and get the hell out of there.

She can hear Krystal wailing behind, HyunA laughing, carrying IU with her. She can see the front door, to freedom.

Years later she’ll wonder why they didn’t keep running. How different things would have ended up for all of them. But most of all she’ll remember when they heard the voice scream, “Stop!” And she’ll wonder, why oh why on earth did they listen?



To Be Continued...



-C